Harriet Schock is one of the unsung architects of the 1970s pop and soul landscape. She is a talented songwriter, artist, and educator whose career continues to inspire musicians today. Her work has not only influenced the sounds of the era but also shaped the way songwriters approach their craft. From chart-topping hits to critically acclaimed albums, from film and television scores to teaching songwriting at a grassroots level, Schock's musical legacy is as multifaceted as it is enduring.

Early Years and Musical Beginnings

Born in Dallas, Texas, Schock (née Schoch) was the daughter of dermatologist Arthur Schoch and Elizabeth Lubbes, a homemaker. Growing up in a musically inclined family, Schock was introduced to the piano at an early age by her father, who taught her to play by ear when she was just four years old. By the time she was in seventh grade, Schock had already written her first song. Throughout her school years, she continued to hone her musical abilities, composing music for school skits and performances.

After graduating from the prestigious Hockaday School in 1958, Schock attended the University of Texas at Austin, where she earned a degree in English. It was at UT Austin that she began writing songs for campus shows, setting the stage for her transition into professional songwriting. After completing her degree in 1962, Schock moved to Los Angeles to work as a copywriter, but it wasn't long before she realized her true calling was in music.

The Rise of a Songwriting Star

In Los Angeles, Schock began performing her original compositions at local clubs, quickly garnering attention for her unique voice and insightful lyrics. At an ASCAP-sponsored songwriting workshop, she met Roger Gordon from Colgems Records, which led to her first publishing deal. By the early 1970s, she had already penned several songs for major artists, including "That's the Way It Is With You," recorded by The Partridge Family in 1973.

Schock's musical career reached a pivotal point in 1974 when she signed with 20th Century Records. There, she recorded three albums: Hollywood Town (1974), She's Low Clouds (1974), and You Don't Know What You're In For (1976). The albums showcased her signature songwriting style: melodic pop with emotionally rich lyrics that resonated with audiences. Schock's work captured the complexities of love and relationships, reflecting an honesty and vulnerability rarely seen in mainstream pop music at the time.

But it was her 1975 composition, "Ain't No Way to Treat a Lady," recorded by Helen Reddy, that truly catapulted Schock into the national spotlight. The song, a powerful blend of pop and soul, was a massive hit, climbing to No. 8 on the Billboard Hot 100. Reddy's recording of the track was nominated for a Grammy, cementing Schock's place in music history. The success of "Ain't No Way to Treat a Lady" caught the attention of other major artists, leading to her songs being recorded by the likes of Charlene, Roberta Flack, Johnny Mathis, and Manfred Mann's Earth Band.

The Signature Song: "First Time on a Ferris Wheel"

One of Schock's most enduring songs is "First Time on a Ferris Wheel," which she co-wrote with composer Misha Segal. The song was originally intended for the 1985 film. One of Schock's most enduring songs is "First Time on a Ferris Wheel," which she co-wrote with composer Misha Segal. The song was originally intended for the 1985 film The Last Dragon, a project co-produced by Motown's Berry Gordy. Schock and Segal's demo impressed Gordy so much that he reworked the film's ending to include the track. Carl Anderson performed the song, which became a signature tune and was eventually covered by other artists, including Nancy Wilson and Rebecca Parris. The song's lush melody and heartfelt lyrics helped it become one of the most beloved tracks in Schock's catalog.

A Shift Toward Teaching and Film Work

After her initial run of success, Schock shifted her focus to teaching and film music. She took a break from recording music to teach songwriting at the University of Southern California from 1986 to 1988, where she introduced her students to her step-by-step songwriting technique. This method would later be encapsulated in her 1990s manual Becoming Remarkable. Schock's approach to songwriting goes beyond just penning a good song; it's about crafting something that connects emotionally with listeners, a philosophy she continues to teach today.

Throughout the 1970s and 1980s, Schock's work was also featured in several films and television shows. Her songs were included in the soundtracks of movies such as Delta Force 2: The Colombian Connection and The Last Dragon, as well as television shows like The Partridge Family and The Benny Hill Show. She also wrote the theme song for the beloved PBS series Jakers! The Adventures of Piggley Winks provided music for Henry Jaglom's films Going Shopping and Irene in Time.

Resurgence as a Recording Artist

In the 1990s, Schock returned to her roots as a recording artist, releasing two albums: American Romance (1995) and Rosebud (1999), both of which were produced by Nik Venet. These albums showcased her growth as an artist, blending her pop sensibilities with deeper, more reflective themes. In 2010, Schock released Breakdown on Memory Lane, her seventh album, further demonstrating her ability to craft compelling songs that resonate with listeners across generations.

A Legacy of Teaching and Mentoring Songwriters

Perhaps Schock's most significant contribution to music in recent years has been her work as a songwriting teacher. She has dedicated much of her time to mentoring aspiring songwriters, sharing the techniques and philosophies that have made her one of the most respected songwriters in the industry. Through one-on-one consultations, online courses, and her Monday Night Songwriting Classes in Los Angeles, Schock continues to pass on her knowledge to the next generation of songwriters.

Her Songwriting Course emphasizes individuality, creativity, and the mechanics of crafting memorable songs. Schock addresses common challenges like finding inspiration, creating compelling lyrics, and strengthening melodies. Her approach has proven transformative, as many of her students have gone on to have successful careers in songwriting.

Schock's Impact on the Music Industry

Harriet Schock's influence stretches far beyond her catalog of hits. As a songwriter, she brought a rare combination of vulnerability and strength to her lyrics, making songs that felt deeply personal yet universally relatable. Her ability to blend pop, soul, and singer-songwriter styles created a distinct sound that resonated with audiences across genres.

But Schock's true legacy lies in her ability to teach others how to tap into that same well of emotion and creativity. Her songwriting courses have shaped many successful songwriters, from seasoned professionals to eager novices, who credit Schock's guidance with helping them find their unique voice in the competitive world of music.

Today, Schock's songs continue to inspire, her teaching methods continue to nurture new talent, and her recordings remain a testament to her enduring artistry. Whether as a chart-topping songwriter, a teacher, or an artist, Harriet Schock has proven herself to be an essential part of the fabric of American music.